Hi there,

Hi everyone,

I hope you're doing well.

I've released a new conversation last week, and this one stayed with me longer than most.

We sat down with 15th-generation swordsmith Kazuki Kawashima and asked him something deceptively simple: is a katana a craft, a weapon, or a work of art? For most of his life his answer was clear — a sword is a practical craft, and the maker is a craftsman. A blade has to cut. If it chips or bends, he says, it fails the most basic test of what a sword even is.

But then he exhibited at a contemporary art show, and something shifted. He started talking about the artistry hidden inside a sword's strictly defined "canvas," the individuality a smith has to express within a form that can never be warped or squiggly, and the depth in a piece of steel that most of us can't read at a glance.

Where he lands is the part I keep thinking about: that art isn't a luxury, but something as necessary to human life as food, shelter, and clean air.

I'd love for you to hear him explain it in his own words.

As always, thank you for being here.

Kind Regards,

Kei, Matt & Team from the History of Katana

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